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題名:讀者詮釋無字繪本之美感傳播歷程初探:以安野光雅旅之繪本書系為例
書刊名:教育資料與圖書館學
作者:賴玉釵 引用關係
作者(外文):Lai, Yu-chai
出版日期:2013
卷期:51:1
頁次:頁37-89
主題關鍵詞:美感傳播無字繪本想像力圖像敘事圖像詮釋Aesthetic communicationWordless picturebooksImaginationPictorial narrativeIconographic interpretation
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:1281
  • 點閱點閱:87
本文考量「圖像詮釋」研究系譜變遷,以讀者反應論之「美感傳播模式」為思考起點,將讀者與文本交流視為「藝術創作端」及「美感接收端」對話歷程。以藝術創作端言之,本研究闡釋圖像敘事之召喚式結構;以美感接收端言之,本文則以個人式與想像式解讀分述圖像詮釋歷程。本文以讀者詮釋無字繪本(wordless picturebook)之美感反應為例,發現五感聯想、類型知識、繪本創作經驗等均可賦予圖像新義;讀者亦可重組畫頁之敘事邏輯而享再創作之美感反應。
This study investigated the genealogy of iconographic interpretation. By adopting an aesthetic communication model for reader responses as the basis for consideration, we regarded reader-book interactions as the artistic and receptive poles of the conversational process. Regarding the artistic pole, we explored the inviting structure of iconographic narrative. Regarding the receptive pole, we cited empirical studies in which the results are related to iconographic interpretation, in addition to using personal and imaginative styles to analyze the process of interpreting images. By exemplifying the aesthetic responses of readers when interpreting wordless picture books, we endeavored to refine the aesthetic communication process of pictorial narrative. The findings indicate that the sensory associations, genre knowledge, and picture book creation experiences of the readers introduce new meaning to imagery. Readers can also experience the aesthetic response of re-creation by restructuring the narrative logic of the wordless pages and visually connecting the perceived images, tasks that are similar to the process of animation.
期刊論文
1.MOE(20130803)。安野光雅「旅の絵本」日本の原風景を描く。MOE,407,71-79。  延伸查詢new window
2.Bergmann, S.(1993)。An epistemological justification for aesthetic experience。Journal of Aesthetic Education,27(2),107-112。  new window
3.Elleman, B.(1986)。Picture book art: Evaluation。Booklist,82,154-158。  new window
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5.Fink, E. J.、Gantz, W.(1996)。A content analysis of three mass communication research traditions: Social science。Journalism & Mass Communication Quarterly,73(1),114-134。  new window
6.Fletcher, R. P.(1998)。Visual thinking and the picture story in the history of Henry Esmond。Publications of the Modern Language Association of America,113(3),379-394。  new window
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23.Harper, D.(2002)。Talking about pictures: a case for photo elicitation。Visual Studies,17(1),13-26。  new window
24.郭良文、林素甘(20010600)。質化與量化研究方法之比較分析。資訊傳播與圖書館學,7(4),1-13。new window  延伸查詢new window
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研究報告
1.徐素霞(2007)。兒童圖畫書圖像之跨領域傳達形式及藝術性表現研究 (計畫編號:NSC 96-2411-H134-004)。新竹市:國立新竹教育大學藝術與設計學系。  延伸查詢new window
學位論文
1.張淑松(2005)。幼兒口中的無字圖畫書(碩士論文)。國立台北師範學院。  延伸查詢new window
2.程培儀(2005)。幼兒敘說無字圖畫故事書之內容分析--以DavidWiesner「瘋狂星期二」為例(碩士論文)。國立嘉義大學。  延伸查詢new window
3.黃雅容(2005)。電影運鏡應用於圖畫故事書創作之研究(碩士論文)。國立臺灣師範大學,台北市。  延伸查詢new window
4.林慧娟(2010)。「沒有字怎麼讀?」--幼兒閱讀無字圖畫書中的圖像語言(碩士論文)。國立新竹教育大學。  延伸查詢new window
5.王昭華(2005)。無字圖畫書視覺與風格表現之研究--兼論其與動畫形式之關係(碩士論文)。國立彰化師範大學。  延伸查詢new window
6.邱琬媜(2008)。親子共讀無字圖畫書歷程之互動與反應(碩士論文)。國立臺南大學,台南市。  延伸查詢new window
7.幸佳慧(1998)。兒童圖畫故事書的藝術探討(碩士論文)。國立成功大學。  延伸查詢new window
8.侯明秀(2003)。無字圖畫書的圖像表現力及其敘事藝術之研究(碩士論文)。國立臺東大學。  延伸查詢new window
圖書
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圖書論文
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