Using Bourdieu’s perspective of “symbolic violence”, the author discusses how the rewriting of “national history” influenced the development of the temple by depicting the worship institution, memorial landscapes of “Zheng Cheng-Gong” constructed by the state and the relevant textbooks used in education institution after the World War II. Analyzing how the rebuilding of “national culture” constructed “high culture” in the field of popular religion through the description of “the movement of the revitalization of Chinese culture” and “the national session of literature and art” in the 1990s, the author discusses how a new form of cultural capital was constructed and gave rise to “new temple festival culture”. The author points out that the temple discussed in this article had gone through two significant political ideology changes. They redefined the content of the capitals of the field and resulted in the change of popular religion. The first one influenced this temple by the rewriting of “national history”. This rewriting influenced the implication of “historical time” in the popular religion field and made the relevance to “Zheng Cheng-Gong” an efficient capital. And that made the village people started to engage in developing their temple. The second one influenced the temple by the rebuilding of the “national culture”. It defined new contents of the legitimate cultural factors in the field and therefore changed the course of the progress of this temple. This article points out that local society translates them into meaningful things according to the logic of the popular religion field while they face the national ideologies. And that redefines the contents of capital of the field and therefore changes the structure of the field.