本文以為羅任玲為臺灣現代詩的「自然意識」勾勒出「生命本體」豐饒與虛無的主題精神，探討其時而跨越性別的藩籬，時而直指時間的本質，時而又探討生命既永恆亦渺小的矛盾。此中既具有中國自然詩的道家情懷，同時又展露了西方「天堂與地獄結合」的「生命真相」。羅任玲以詩建構詩美學，以詩呈現自然主題，其書寫意識的文本實踐，深切觸及其空間與時間交融的自然美學，為自然美學領域的開拓，留下女性書寫的里程碑

This essay aims to portrays the spirit of ＂fertility and vanity＂ of the ＂existence of being＂ in Low Ren-Ling's poetry, which is based on the concept of ＂consciousness of Nature＂ in the modern Taiwanese poetry. Besides, this essay will discuss how her poems can go beyond the gender boundary, while at the same time pointing to the essence of time and presenting the irony of life being eternal and microscopic. Moreover, her poetry embodies the Daoism of traditional Chinese pastoral poetry, while it also demonstrates the ＂living truth＂ of ＂the marriage of heaven and hell＂. Low Ren-Ling is able to construct her own aestheticism with poetry and present themes of Nature throughout poetry. The practice of her consciousness of ecriture subtly and skillfully touches the combination of time and space in Nature aestheticism. Simply put, her poetry has indeed explored the field of Nature aestheticism and created a milestone for ecriture feminine