本文以李進文的〈論我詩〉為探討對象，指出〈論我詩〉乃是以詩歌本身為主題，透過詩人現身說法，表現為一種「以詩歌來指涉詩歌」的書寫形態，也就是所謂的「論詩詩」。本文一方面著力於這首詩書寫背後的「存有」意識，並及於空間意識；另一方面也在論證〈論我詩〉其實就是作者美學主張的一次呈現，詩人不但在這首詩中「自我展示」這些表現形式，同時這個「自我展示」也在其他作品中成為一種美學的實現與特殊觀照。

The essay aims to explore on-poetry poems by Li Chin-Wen. On-poetry poems centers on poetry itself, discussing Li's poetry by Li's poems. The innovative efforts exploit the awareness of ”Being” and ”Space” behind the poetry. Also, Li reveals his claim on aesthetics through analyzing his own works. It's a fulfillment of aesthetics itself, simultaneously showing us another dimension of aesthetics.