"Huangdi Sijing" (literally: "The Yellow Emperor's Four Canons") are manuscripts of the Warring States period. They were unearthed from Tomb 3 of Mawangdui near Changsha in 1973. Since these manuscripts are not only arranged before Version B of "Laozi" but also assembled by "ling Fa", "Shi Da ling", "Cheng", and "Dao Yuan", scholars then give these four ancient lost books the conventional title of "Huangdi Sijing". In this paper, these 1973 manuscripts will be used to analyze the ideology of yin/yang and further discuss how certain qualities are passed on. Roughly speaking, yin and yang appear together for about forty-three times in "Huangdi Sijing". It is clear that the idea of yin/yang plays a key part in those texts. In other words, these manuscripts could be considered as an important source for the development of yin/yang during the Warring States period. Hence, to study how the early yin/yang philosophers applied beliefs in "Laozi" to address political issues at the dawn of yin/yang theory could be significant for future research. This paper will begin with an introduction to the theory of yin/yang in "Huangdi Sijing". Special attention will be paid to "Cheng" since its elaboration on yin/yang offers great insight to the principle of "retaining gentleness, no fighting". In addition, the content of "Shi Da ling" also corresponds to the ideas advocated in "Cheng". Based on these two texts, I would like to point out how "Huangdi Sijing" influences the fundamental principle of "reaching equanimity" and its philosophic qualities for future development.