本文探討郭松棻在〈草〉這篇小說中所使用欄杆與窗子形象、特殊的色彩運用，以及詩化的陳述語言與旁觀的敘事角度。透過研究可以發現，郭氏藉由這些安排營造了完整的孤寂意識，作品通篇呈現一整體的孤寂氣氛

This article was aimed to probe into the images of handrails and windows, the special uses of colors and poetic description and the narratives in an onlooker's angle of the novel, ”Grass,” which is written by Kuo, Sung-fen. Through the study, it could be found that Kuo make a complete consciousness of solitude via these arrangements. The whole work was displayed am integral atmosphere of solitude