In the context of social, historical and the museum development, this paper explores the practice of temporary exhibitions of Natural History Museums and the effects of the museum curators upon the construction of temporary exhibitions based on Pierre Bourdieu’s theory of cultural reproduction. Ethnography is applied as research method and fourteen museum curators are selected for interview. Habitude and cultural capitals curators have great influences on the construction and performance of temporary exhibitions in Natural History Museum, including the choice of topic, resources of funding and the process of decision-making. Temporary exhibitions provide the channel for the museum staff to present their culture capital and discourses. Curators not only create symbolic capital by temporary exhibitions but also produce symbolic violence. Furthermore, they reproduce the power relationship and judgment of value by implementation of museum education.