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題名:京劇《碰碑》、《南天門》中的度脫與救贖--精神醫學與觀眾心理的探索
書刊名:戲劇學刊
作者:曾念生蔡振家 引用關係
作者(外文):Tzeng, Nian-shengTsai, Chen-gia
出版日期:2015
卷期:22
頁次:頁25-50
主題關鍵詞:戲曲心理疾病憂鬱男性犧牲情緒調節XiquMental illnessDepressionMasculine sacrificeEmotion regulation
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:88
  • 點閱點閱:29
Other
1.吳佳璇(2011)。蟲患:張愛玲的精神分析,臺北:聯合文學。  延伸查詢new window
期刊論文
1.王安祈(20080100)。禁戲政令下兩岸京劇的敘事策略。戲劇研究,1,195-219。new window  延伸查詢new window
2.Shamay-Tsoory, S. G.、Aharon-Peretz, J.、Perry, D.(2009)。Two systems for empathy: A double dissociation between emotional and cognitive empathy in inferior frontal gyrus versus ventromedial prefrontal lesions。Brain,132(3),617-627。  new window
3.邱坤良(20110100)。戲劇的演出、傳播與政治鬥爭--以《怒吼吧,中國!》及其東亞演出史為中心。戲劇研究,7,107-149。new window  延伸查詢new window
4.張之傑(1996)。狂亂的心靈,騷動的筆觸--為徐文長看看病。科學月刊,324,1000-1009。  延伸查詢new window
5.莊桂香(20120200)。替杜麗娘把脈--讀蔡振家《另類閱聽》有感。全國新書資訊月刊,158,73-76。  延伸查詢new window
6.曾念生(2011)。徐渭的瘋狂和他的刑事責任能力。精神醫學通訊,30(1),13-14。  延伸查詢new window
7.Macleod, A. D.、MBChB, FRANZCP(1998)。Methylphenidate in Terminal Depression。Journal of Pain and Symptom Management,16,193-198。  new window
8.Calvo-Merino, B.、Jola, C.、Glaser, D. E.、Haggard, P.(2008)。Towards a Sensorimotor Aesthetics of Performing Art。Consciousness and Cognition,17,911-922。  new window
9.Farahani, Arusha、Correll, Chistoph U.(2012)。Are Antipsychotics or Antidepressants Needed for Psychotic Depression? A Systematic Review and Meta-Analysis of Trials Comparing Antidepressant or Antipsychotic Monotherapy with Combination Treatment。Journal of Clinical Psychiatry,73,486-496。  new window
10.Fleming, Michael Z.、Piedmont, Ralph L.、Hiam, C. Michael(1990)。Images of Madness: Feature Films in Teaching Psychology。Teaching of Psychology,17,185-187。  new window
11.Gallese, Vittorio(2001)。The 'Shared Manifold' Hypothesis: From Mirror Neurons to Empathy。Journal of Consciousness Studies,8,33-50。  new window
12.Hyler, Steven E.(1988)。DSM-III at the Cinema: Madness in the Movies。Comprehensive Psychiatry,29,195-206。  new window
13.Jonassen, David H.(1981)。Learning from Television: What Are the Limits。Peabody Journal of Education,58,242-250。  new window
14.Kima, Jinhee、Oliverb, Mary B.(2013)。How Do We Regulate Sadness Through Entertainment Messages? Exploring Three Predictions。Journal of Broadcasting & Electronic Media,57,374-391。  new window
15.Mares, Marie-Louise、Cantor, Joanne(1992)。Elderly Viewers’ Responses to Televised Portrayals of Old Age: Empathy and Mood Management versus Social Comparison。Communication Research,19,459-478。  new window
16.Nguyen, Giang T.、Wittink, Marsha N.、Murray, Genevra F.、Barg, Frances K.(2008)。More Than Just a Communication Medium: What Older Adults Say About Television and Depression。Gerontologist,48,300-310。  new window
17.Reinecke, Leonard、Tamborini, Ron、Grizzard, Matthew、Lewis, Robert、Eden, Allison、Bowman, Nicholas D.(2012)。Characterizing Mood Management as Need Satisfaction: The Effects of Intrinsic Needs on Selective Exposure and Mood Repair。Journal of Communication,62(3),437-453。  new window
18.Schneider, Irving(1987)。The Theory and Practice of Movie Psychiatry。American Journal of Psychiatry,144(8),996-1002。  new window
19.Shoenfeld, Netta、Strous, Rael D.(2008)。kySamson’s Suicide: Psychopathology (Grossman) vs. Heroism (Jabotinsky)。Israel Medical Association Journal,10,196-201。  new window
20.Hsu, J.、Tseng, W. S.(1974)。Family Relations in Classic Chinese Opera。International Journal of Social Psychiatry,20(3/4),159-172。  new window
21.吳麗芬(20010200)。懷舊治療與人生回顧。護理雜誌,48(1),83-88。new window  延伸查詢new window
22.Burnside, I.、Haight, B.(1994)。Reminiscence and life review: Therapeutic interventions for older people。Nurse Practitioner,19(4),55-61。  new window
23.Erfurth, A.、Hoff, P.(2000)。Mad Scenes in Early 19th-century Opera。Acta Psychiatrica Scandinavica,102,310-313。  new window
會議論文
1.蔡振家(2009)。臺灣亂彈戲皮黃腔的音樂特色:與其它劇種的比較研究。臺北:國立臺北藝術大學。235-256。  延伸查詢new window
圖書
1.李豐楙(2002)。神化與謫凡 : 元代度脫劇的主題及其時代意義。文學、文化與世變。臺北:中央研究院中國文哲研究所。  延伸查詢new window
2.Hatten, Robert S.(1994)。Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation。Bloomington:Indiana University Press。  new window
3.Pine, F.(1990)。Drive, Ego, Object and Self: A Synthesis for Clinical Work。New York:Basic Books。  new window
4.西周生(1968)。醒世姻緣傳。臺北:世界書局。  延伸查詢new window
5.Bettekheim, Bruno(1976)。The Use of Enchantment: The Meaning and Importance of Fairy Tales。New York:Knopf。  new window
6.Burton, Neel(2009)。The Meaning of Madness。Oxford:Acheron Press。  new window
7.Freud, Sigmund(1991)。Die Traumdeutung。Frankfurt am Main:Fischer-Taschenbuch。  new window
8.Lipps, Theodor(1903)。Einfühlung, innere Nachahmung und Organenempfindung。Leipzig:Wilhelm Engelmann。  new window
9.Sifneos, Peter E.(1992)。Short-Term Anxiety-Provoking Psychotherapy: A Treatment Manual。New York:Basic Books。  new window
10.Hynes, A. M.、Hynes-Berry, M.(1986)。Bibliotherapy--the interactive process: A handbook。Boulder, CO:Westview Press。  new window
11.青木正兒、隋樹森(1984)。元人雜劇序說。臺北:里仁書局。  延伸查詢new window
12.Jung, Carl Gustav、徐德林(2011)。原型與集體無意識。北京:國際文化出版公司。  延伸查詢new window
13.王大錯(1990)。戲考大全。上海:上海書店。  延伸查詢new window
14.Zuckerman, Marvin(1994)。Behavioral Expressions and Biosocial Bases of Sensation Seeking。Cambridge University Press。  new window
15.Jung, Carl G.(1968)。The Archetypes of the Collective Unconscious。Princeton University Press。  new window
16.趙毅衡(2012)。符號學。新銳文創。  延伸查詢new window
17.容世誠(19970000)。戲曲人類學初探--儀式、劇場、社群。臺北:麥田。new window  延伸查詢new window
18.蔡振家(2011)。另類閱聽--表演藝術中的大腦疾病與音聲異常。臺北:臺大出版中心。  延伸查詢new window
19.Bandura, Albert(1977)。Social Learning Theory。Prentice-Hall, Inc.。  new window
20.陳芳英(20090000)。戲曲論集:抒情與敘事的對話。臺北:國立臺北藝術大學。new window  延伸查詢new window
其他
1.尚偉,高彤(2010)。南天門,http://www.youtube.com/watch?v=gMaXhGu9XVY, 2014/03/09。  new window
2.譚富英,譚元壽(2000)。碰碑。  延伸查詢new window
3.(2002)。金聲玉振:胡少安京劇藝術,宜蘭:國立傳統藝術中心。  延伸查詢new window
圖書論文
1.Gabbard, Glen O.(2000)。Theory of Personality and Psychopathology。Comprehensive Textbook of Psychiatry。Philadelphia:Lippincott, Williams and Wilkins。  new window
2.Tseng, Wen-Shing、Streltzer, Jon(2004)。Chapter 1. Introduction: Cultural and Psychiatry。Cultural Competence in Clinical Psychiatry。Washington, DC:American Psychiatric Publishing。  new window
3.張漢良(1976)。楊林故事系列的原型結構。中國古典文學論叢.神話與小說之部。臺北:中外文學月刊社。  延伸查詢new window
4.Zillmann, DoIf(1988)。Mood Management: Using Entertainment to Full Advantage。Communication, Social Cognition, and Affect。Hillsdale, NJ:Erlbaum。  new window
 
 
 
 
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