I believe literary criticisms that engage with language, form, and theme are too simplified to resolve power relation, aesthetic standards, canon debate, particular literary and cultural phenomena, etc. In addition, neither dc-colonizing nor post-colonial discourse could theorize the issues of Taiwan indigenous literature, because actually both of them fix minor literature. Hence, I emphasize that the process of "negotiation" plays a very important role in the space of minor literature when it encounters the judgment of major literature by Tuobasi Tamapima's The Last Hunter.