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題名：音樂中獨特的身體實踐：古琴傳統的審美與身體理想之結合
書刊名：中央大學人文學報
作者：王育雯 引用關係
作者(外文)：Wang, Yuh-wen
出版日期：2009
卷期：40
頁次：頁119-171
主題關鍵詞：古琴；軀體音樂學；音樂美學；身體；Guqin；Corporeal musicology；Music aesthetics；Body
原始連結：連回原系統網址new window
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音樂中的身體意義已經在不少西方音樂論著中受到重視與探討。而身體在傳統古琴的理解、欣賞、實踐，特別是在二十世紀音樂現代化之前，具有極重要的意義。與目前所見的音樂身體意義相當不同的是，古琴傳統中的身體理想與審美理想密切結合，而非如前者之中所見的，二種理想各行其是而無共同目標。 　　本文的目的，是在指出古琴傳統的實踐、感知、評價等審美活動如何與身軀上的覺受、狀態密切關聯，呈現出有別於歐洲音樂傳統中的身體意義，特別是古琴音樂的審美理想與身體的理想相結合的種種現象與實踐方式。本文將說明古琴的身體審美意義不僅表現在抽象的概念、思維而已，更表現於許多具體作法，容許琴人在彈琴過程中，同時趨近於審美經驗與軀體經驗二層面的理想。
Bodily or corporeal significance in western art music has been explored in recent years. In Chinese tradition the body played a tremendously important role in the understanding, appreciation and actual practice of guqin prior to the modernization movement of early 20th century, yet this embodied significance is very different from what one finds in recent studies about the musical body. 　　This essay proposes that a unique feature of guqin lies in the unification of bodily ideal and musical beauty, and that this is what makes its embodied significance distinguished from that explored by Susan McClary and Elizabeth Le Gunn in 17th- and 18th-century European music. In the guqin tradition, the notion of bodily ideal──such as longevity and health──is closely associated with the notion of beauty and goodness. As explored in this paper, such a unique feature is reflected not only in various historical judgments of guqin music or performance, in poetry and other literary works from various times, but also in the notation, the structure of the instrument, and in many specific regulations found in instructions written specifically for guqin players.
期刊論文
1.梁銘越(2001)。試論古琴禁情的神經心理功能學與氣功養生術。漢學研究，19(11)，409-426。new window  延伸查詢new window
2.Yu, Ning(2002)。Body and emotion: Body parts in Chinese expression of emotion。Pragmatics and Cognition，10(1/2)，341-367。  new window
3.Kleinman, Arthur(1982)。Neurasthenia and Depression: A study of Somatization and Culture in China。Culture, Medicine and Psychiatry，6(2)，117-190。  new window
4.李美燕、黃揚婷(20030300)。清代琴曲「漁樵問答」的音樂美學析論--以楊宗稷「琴學叢書」的譜例為主。屏東師院學報，18(下)，589-623。new window  延伸查詢new window
5.楊儒賓(20040300)。宋儒的靜坐說。臺灣哲學研究，4，39-86。  延伸查詢new window
6.楊儒賓(19940300)。從「生氣通天」到「與天地同流」--晚周秦漢兩種轉化身體的思想。中國文哲研究集刊，4，477-519。new window  延伸查詢new window
7.Yung, Bell(1984)。Choreographic and Kinesthetic Elements in Performance of the Chinese Seven String Zither。Ethnomusicology，28，505-517。  new window
8.李美燕、黃揚婷(2003)。從張靜薌《琴學入門》之譜例析論清代琴曲《漁樵問答》的音樂美學。屏東師院學報，19，255-293。  延伸查詢new window
9.林衡勛(1998)。嵇康的《聲無哀樂論》與漢斯立克的《論音樂的美》。湛江師範學院學報，19(4)，60-67。  延伸查詢new window
10.姚曉琴(2003)。何物使之然羌笛與秦箏─由白居易《廢琴》詩試析古琴盛衰的原因。樂器，2003(3)，16-17。  延伸查詢new window
11.陸永勝(2007)。橘枳之辨─嵇康與漢斯立克的音樂美學思想比較。安順師範高等專科學校學報，9(3)，16-19。  延伸查詢new window
12.陳新坤(2001)。嵇康和漢斯立克對音樂與感情關係論述的比較。藝術百家，2001(2)，101-104。  延伸查詢new window
13.Cook, Nicholas(2001)。Theorizing Musical Meaning。Music Theory Spectrum，23(2)，170-195。  new window
14.Rin, Hsien、Schooler, Carmi、Caudill, W.(1973)。Culture, Social Structure and Psychopathology in Taiwan and Japan。The Journal of Nervous and Mental Disease，157(4)，296-312。  new window
15.Jankowsky, Richard C.(2007)。Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance。Ethnomusicology Forum，16(2)，185-208。  new window
16.Kawanishi(1992)。Somatization of Asians: An Artifact of Western Medicalization?。Transcultural Psychiatric Research Review，29(1)，5-36。  new window
17.Koen, Benjamin D.(2005)。Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing。Ethnomusicology，49(2)，287-311。  new window
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19.Tung, May P.(1994)。Symbolic Meanings of the Body in Chinese Culture and "somatization"。Culture, Medicine and Psychiatry，18(4)，483-492。  new window
20.Walser, Robert(1991)。The Body in the Music: Epistemology and Musical Semiotics。College Music Symposium，31，117-126。  new window
21.王育雯(2004)。The Ethical Power of Music: Ancient Greek and Chinese Thoughts。Journal of Aesthetic Education，38(1)，89-104。  new window
22.Wooten, M. A.(1992)。The Effects of Heavy Metal Music on Affects Shifts of Adolescents in an Inpatient Psychiatric Setting。Music Therapy Perspectives，10(2)，93-98。  new window
23.葉正道(2002)。Different Modes of Describing Emotions in Chinese: Bodily Changes, Sensations, and Bodily Images。Pragmatics and Cognition，10(1)，307-339。  new window
24.Tseng, W. S.(1975)。The Nature of Somatic Complaints among Psychiatric Patients: The Chinese Case。Comprehensive Psychiatry，16(3)，237-245。  new window
學位論文
1.蔡璧名(1996)。身體與自然：以《黃帝內經素問》為中心論古代思想傳統中的身體觀(博士論文)。國立臺灣大學。new window  延伸查詢new window
2.鄭明慧(1988)。嵇康與漢斯里克音樂美學思想研究，臺北。  延伸查詢new window
圖書
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5.Weiss, Piero、Taruskin, Richard(1984)。Music in the Western World: A History in Documents。New York：Schirmer Books。  new window
6.陳奇猷(1982)。韓非子集釋。韓非子集釋。臺北。  延伸查詢new window
7.Kivy, Peter(1991)。Sound and Semblance: Reflections on Musical Representation。Ithaca, N.Y.。  new window
8.Rouget, Gilbert(1985)。Music and Trance: A Theory of the Relations between Music and Possession。Chicago：The University of Chicago Press。  new window
9.Meyer, Leonard B.(1973)。Explaining Music: Essays and Explorations。Berkeley：University of California Press。  new window
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17.Blacking, John、Byron, Reginald(1995)。Music, Culture and Experience: Selected Papers of John Blacking。Chicago, IL：University of Chicago Press。  new window
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19.Meyer, Leonard B.(1956)。Emotion and Meaning in Music。Chicago。  new window
20.唐健垣(1971)。琴府。琴府。臺北。  延伸查詢new window
21.楊朝明(2005)。孔子家語通解：附出土資料與相關研究。臺北：萬卷樓出版社。  延伸查詢new window
22.葉明媚(1992)。古琴音樂藝術。臺北：臺灣商務印書館。  延伸查詢new window
23.Van Gulik, R. H.(1969)。The Lore of the Chinese Lute。Tokyo：Sophia University。  new window
24.Jones, Andrew F.(2001)。Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age。Duke University Press。  new window
25.張榮明(1992)。中國古代氣功與先秦哲學。臺北：桂冠圖書股份有限公司。  延伸查詢new window
26.楊儒賓(19960000)。儒家身體觀。臺北：中央研究院中國文哲研究所籌備處。new window  延伸查詢new window
27.Kivy, Peter(1990)。Music alone: Philosophical reflections on the purely musical experience。Ithaca, NY：Cornell University Press。  new window
28.劉安、陳麗桂(2002)。新編淮南子。臺北：國立編譯館。  延伸查詢new window
29.楊儒賓(19930000)。中國古代思想中的氣論及身體觀。臺北：巨流。new window  延伸查詢new window
30.陳玉秀(1994)。雅樂舞的白話文：以「樂記」為例，探看古樂的身體。萬卷樓圖書股份有限公司。  延伸查詢new window
31.嵇康、載明揚(1978)。嵇康集校注。河洛圖書出版社。  延伸查詢new window
32.白居易、謝思煒(2006)。白居易詩集校注。中華書局。  延伸查詢new window
33.呂不韋、陳奇猷(1984)。呂氏春秋校釋。學林出版社。  延伸查詢new window
34.李美燕(1999)。琴道之思想基礎與美學價值之研究。琴道之思想基礎與美學價值之研究。高雄。  延伸查詢new window
35.文化部文學藝術研究院音樂研究所、音樂研究所北京古琴研究會。琴曲集成。琴曲集成。北京。  延伸查詢new window
36.Hanslick, Eduard、Payzant, Geoffrey(1986)。On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music。Indianapolis, Indiana：Hackett Publishing Company。  new window
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39.Kramer, Lawrence(1997)。After the Lovedeath: Sexual violence and the Making of Culture。After the Lovedeath: Sexual violence and the Making of Culture。Berkeley。  new window
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47.Budd, Malcolm(1985)。Music and the emotions: the philosophical theories。Music and the emotions: the philosophical theories。London。  new window
48.Friedson, Steven M.(1996)。Dancing Prophets: Musical Experience in Tumbuka Healing。University of Chicago Press。  new window
49.Holsinger, Bruce W.(2001)。Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer。Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer。Stanford。  new window
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其他
1.（清）陳士珂(1968)。孔子家語疏證，臺北。  延伸查詢new window
2.（明）何孟春(1995)。孔子家語，臺南。  延伸查詢new window
3.（清）阮元(1965)。十三經注疏，臺北。  延伸查詢new window
4.（漢）桓譚(1966)。桓子新論，臺北。  延伸查詢new window
5.（漢）劉向(2006)。說苑：二十卷，北京。  延伸查詢new window
6.（漢）劉安(1993)。淮南子全譯，貴陽。  延伸查詢new window
7.（宋）朱長文(2001)。琴史，海口。  延伸查詢new window
8.（北宋）歐陽修(1989)。歐陽修詩文賞析集，成都。  延伸查詢new window
9.（明）蔣克謙(1962)。琴書大全，北京。  延伸查詢new window
10.(2001)。五知齋琴譜，海口。  延伸查詢new window
11.吳釗(2007)。傳統與現代─中國古琴藝術面臨的挑戰。  延伸查詢new window
12.苗建華(2003)。古琴美學思想中的道家思想。  延伸查詢new window
13.劉楚華(2006)。古琴養生觀與樂醫同構思維，澳門。  延伸查詢new window
14.Goehr, Lydia。Philosoophy of music。  new window
圖書論文
1.彭祉卿(1937)。從現代音樂上論琴。今虞琴刊。蘇州。  延伸查詢new window
2.胡奐湘(1997)。《淮南子》的人體觀和養生思想。中國古代思想中的氣論及身體觀。臺北：巨流。  延伸查詢new window
3.Cheung, F.(1985)。An Overview of Psychopathology in Hong Kong with Special Reference to Somatic Presentation。Chinese Culture and Mental Health。Boston。  new window
 
 
 
 
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