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題名:惘/網:學校課程革新脈絡中 女性教師主體性之敘事探究
作者:吳臻幸
作者(外文):Chen-Hsing Wu
校院名稱:國立臺北教育大學
系所名稱:課程與教學研究所
指導教授:莊明貞
學位類別:博士
出版日期:2013
主題關鍵詞:後結構女性主義主體性認同形塑學校課程革新敘事探究poststructuralist feminismsubjectivitiesidentity formationthe school curriculum innovationnarrative inquiry
原始連結:連回原系統網址new window
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本探究目的在於援引後結構女性主義觀點,以敘事探究的方式,理解女性教師在學校課程革新脈絡下,所感知的權力結構,所再現之自我形構、認同形塑與能動策略,以建構女性教師之主體性,提昇其敘事權威,作為開啟學校課程革新研究新視野的踏板。
我邀請在郊區小校蓮情國小中,展現課程領導之女性教師--瑰瑰、英英與伶伶,成為我的研究夥伴,以推動「學校特色課程發展-藝術與人文領域」期間,做為主要的研究時空場景(landscape),在方法論上,我建構後結構女性觀點的敘事探究。梳理出研究夥伴賴以維生的故事或隱喻做為主體性主軸,造成個體內外在權力結構矛盾與衝突的張力時刻(tension moment)為敘說與詮釋分析的重點。在故事的碰撞處或中斷處裡,看到「我」、「汝」相異的課程經驗;在交疊處找出「我們的」課程情節線;在重說讓故事連貫的「我們活出的」課程中,找到擾動僵固的權力關係而主體化之證據。在書寫策略上,我用「惘/網」作為貫穿全文的隱喻,意味著女性教師主體性,與外在情境脈絡互文之後,不斷破與立的共相共生之形構狀態 。我採挑釁的語言與並列多聲之詮釋方式呈現研究文本,建議讀者稍安勿躁、放入括弧與加入對話,以提昇整個研究的轉化效度。
研究結果如下:1.課程革新脈絡下女性教師覺知之校園權力結構為:主科強勢的知識/權力;教育行政-校園行政科層體制;新自由主義績效責任機制與教育市場化的政治權力。2.女性教師在學校課程革新脈絡中的自我形構為:在師生人我關係網絡中,建構獨特而具包容性的自我;在校園的國家治理機制與自我治理中,擴展自我形構之範疇。3.女性教師在學校特色課程中之認同形塑為:連結同儕多元差異,形塑創造性的專業認同;接合校本-課本-政策,形塑流動性的學校課程認同。 4.女性教師在學校課程革新中運用的能動策略為:展演各式各樣的發聲形式,提昇教師的課程敘事權威;扮裝教師/行政雙重身份,在多重權力位置中實踐學校特色課程。
基於以上研究結果,我提出研究結論為,學校課程革新脈絡中女性教師之主體性再現於:1. 覺知網絡式校園權力結構,發展折衷行政/教學之實踐行動。2. 穿梭於同儕/自我/學校體制中形構自我,重新定義教師身分範疇。3. 含納校園中多元差異之主體,形塑教師專業認同與學校課程認同。4. 用多樣化發聲及引領之行動策略,體現學校課程革新的日常生活政治。簡言之,她們的主體性在學校課程革新脈絡中,擾動了既有的性別化校園中的權力關係,交織校園中多樣化之課程生命軌跡,實踐了具有流動性認同特性之學校特色課程。
我建議延伸應用本研究結果於以下四點:1.改善對學校過多的由上而下之控制機制,賦予教師更多課程革新自主空間。2.鼓勵教師展現具有主體性的課程實踐行動,讓校園課程邁向多樣化。3.應用於其他學校邊緣族群之課程敘事探究,擴展學校課程革新路徑。4.援引後結構女性主義觀點於其他課程實踐研究中,提昇課程改革的政治性。
The purpose of this dissertation is to understand female teachers’ subjectivities in the context of curriculum innovation. By invoking the poststructuralist feminist perspective into narrative inquiry, the perceived power relations structure, the representation of the self-configuration, the identity formation, and the strategies of agency of female teachers were investigated to construct their subjectivities, empower them in authoritative discourse, and open new issues in the school curriculum innovation .
To achieve the aims of this research, I invited three female teachers, Rose, Wise, and Bright from one suburb elementary school, Lotus, as my research partners . Taking the "School feature certification Curriculum Development - Arts and Humanities" as the “landscape“ of this research, through the perspective of poststructural feminism, I constructed the narratives of three participating teachers.. Combing out the stories (or metaphors) to live by as subjectivities’ main plot axis , identifying the collision- tension moments , interrupting, overlapping and coherent of stories argument the flowing power relations of inside and outside of subject. Repetitive reconstruct or retell stories are expressions of subjectivation. The topic metaphor -“ Maze/Mesh “ means subject in HfluidH the power relation , subjectivities was constantly constructed , general through regression cycle of “negation-recognition”. The provocative language and parallel polyphonic interpretation were used to enhance the infectivity of the study to promote the transformation validity.
Data collected in this research reveal that: 1.Female teachers in the context of school curriculum innovation were aware of the power relations on campus including strong knowledge / power relationship of dominated subjects ; bureaucracy of power relations between educational administration and school administration; and the politics of neoliberal market-oriented mechanism. 2. Female teachers’ self- configurations in the context of school curriculum innovationwere: the construction of unique and inclusive selves, and the enlargement of self-configuration under national governance mechanisms and self-governance. 3.Female teachers’ identity formation in the context of School feature certification curriculum Development were the connection with peer diversity;the formation of creative professional identity ;and the construction of HfluidH school curriculum identities by integrating school-based textbooks –and the policy . 4. Female teachers’ strategies of agency in the context of school curriculum innovation werethe performativity of variety of “voice “ to promote teachers’ narrative authority; and to act as teacher-admistrator to practice school-based curriculum in multiple power position .
Based on the above findings, I propose that the teachers’ subjectivities in the context of School Curriculum Innovation are represented in the following dimensions 1. Awareness of network-based campus power relations structure, developing administrative / teaching eclectic practice actions. 2. Repeating transgression among Peer / Self / school system to configure themselves, and to resignificate teacher identity category. 3. Inclusive diversity to format the fluidity of school curriculum identity and creative teacher professional identity. 4 the performativity of variety of “voice “ to promote teachers’ narrative authority; and the enactment of the daily life politics of school curriculum innovation.. In the context of the school curriculum innovation, female teachers’ subjectivities intertwined with “currere “of school teachers , and emerged school curriculum practices.
According to the findings of this research, I suggest :1. Reducing top-down model control mechanism, empowering school autonomy curriculum innovation. 2. Encouraging teachers to embody subjectivities in curriculum practice, and to demonstrate diverse curriculum. 3. Appling the curriculum narrative inquiry of marginalized groups in school to expand the paths of school curriculum innovation. 4. Citing poststructuralist feminist perspective in other curriculum practices studies to enhance political reform.
Keywords: poststructuralist feminism, subjectivities, identity formation,
the school curriculum innovation, narrative inquiry
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